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Roslyn Oxley9 Gallery

Exhibition: A Constructed World

When

Friday 9 April 2021 from 10am to 6pm Saturday 10 April 2021 from 11am to 6pm Tuesday 13 April 2021 from 10am to 6pm Wednesday 14 April 2021 from 10am to 6pm Thursday 15 April 2021 from 10am to 6pm Friday 16 April 2021 from 10am to 6pm Saturday 17 April 2021 from 11am to 6pm Tuesday 20 April 2021 from 10am to 6pm Wednesday 21 April 2021 from 10am to 6pm Thursday 22 April 2021 from 10am to 6pm Friday 23 April 2021 from 10am to 6pm Saturday 24 April 2021 from 11am to 6pm Tuesday 27 April 2021 from 10am to 6pm Wednesday 28 April 2021 from 10am to 6pm Thursday 29 April 2021 from 10am to 6pm Friday 30 April 2021 from 10am to 6pm Saturday 1 May 2021 from 11am to 6pm Tuesday 4 May 2021 from 10am to 6pm Wednesday 5 May 2021 from 10am to 6pm Thursday 6 May 2021 from 10am to 6pm Friday 7 May 2021 from 10am to 6pm Saturday 8 May 2021 from 11am to 6pm

When you can’t find what you are looking for it is usually because you can’t see it. - A Constructed World

Works by ACW often defy categorisation. Rather than developing as a series of objects, each impulse is given a certain autonomy, enabling each work to act as a prompt or gesture towards another. It is in this proximity that the works become an accumulation of meaning, conjuring up previous works and versions that act again as prompts. In this sense, An Eel in the Devil’s Haystack is linked to ACW’s work Partition #13, Assemblée des culs / Ass Assembly, presented in The National 2021: New Australian Art at Carriageworks, Sydney.

Contrary to transgressive fascination or psychoanalytic reading, An Eel in the Devil’s Haystack explores the idea of what we experience in the mode of reception is nothing more than a material sense of our own living. Influenced by post-structuralism and relational aesthetics, ACW explore how reality is perceived through cultural models.

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Roslyn Oxley9 Gallery

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