poem for a dried up river

Poetry, music, physical theatre and art installation meet in a mesmerising combination.

Struggle, exertion –  where does it first show up in the body? In the breath. And that’s how Jane Sheldon’s poem for a dried up river begins: in summer darkness with the sounds of breathing floating over chirping cicadas. Gradually two sopranos emerge from the soundscape, their labour divided – instrument and words. 

This riveting performance melds opera, poetry, physical theatre and art installation in a mesmerising, unique combination. Alice Oswald’s text about a figurine of a naiad trying to coax water from a bed of limestone ‘unfolds like a cry of environmental despair’. Sheldon’s exquisite palette of musical colours plays on contrasts: dry and wet, weak and strong, barren and fecund. Elizabeth Gadsby’s powerful installation mirrors the nymph’s exertions with the unrolling of a 200kg path of clay.  

Jane Sheldon reunites with Sydney Chamber Opera for another collaboration filled with detail and nuance, and a profound sense of connection.

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