Ensemble Offspring: Moonstruck

Almost 30 years to the day and in the same venue as the Spring Ensemble’s first concert, Moonstruck looks to the origins of our ensemble and imagines the future. The starting point is Arnold Schoenberg’s revolutionary classic from 1912, Pierrot lunaire – still radical to the ear as it straddles the border between cabaret and concert, acting and singing. And we’re pitting it against a long form provocative new take on the original, commissioned from UK ‘triple threat’ Laura Bowler. Presented in association with Sydney Chamber Opera.

Pierrot lunaire sits somewhere between cabaret and concert, acting and singing, madness and depravity. Showcasing the extraordinary talents of soprano Jane Sheldon, it flirts with chaos as Arnold Schoenberg translates each tiny poem into music. It’s over a hundred years old, but it remains radical to the ear – a revolutionary classic that transformed music and concerts forever, just as Cubism changed painting. Even Ensemble Offspring’s distinctive line-up of musicians can be traced to this iconic creation and its grungy tale of the ‘moonstruck’ clown of commedia dell’arte.

In a one off staged performance at Eugene Goossens Hall presented in association with Sydney Chamber Opera, Pierrot lunaire looks to Ensemble Offspring’s origins and imagines the future. And we’re pitting it against a long form new work by ‘triple threat composer-performer provocatrice’ Laura Bowler. In a fresh interpretation of Albert Giraud’s poems, Bowler will deconstruct and repurpose Schoenberg’s original musical material, viewing it through a contemporary queer lens in ‘a subversive act of defiance of the great master’. International star mezzo-soprano Jessica Aszodi, one of the “finest actress-singers in the country” (The Age) joins us for the virtuosic challenge of Schoenberg’s reimagined vocal lines.